Update for Friday March 31st.

I am working non stop on my comic and my thesis. It is taking a lot of effort and I am barely holding it together.


In terms of research I have moved on from visual research to more thematic research as I finish my thesis.

My visual research this week was:

TRAIN TO BUSAN

A Korean horror film about a train where zombie begin to board and take over cars one by one. A father has to keep his daughter safe in an increasingly dangerous situation and it's uses of characters, environment and visual storytelling exploring themes of self sacrifice and unsolicited compassion.

My thematic research this week was:

CULTS AND STUFF

I have been pairing with the podcast Sect Ed to research the effects of suspicion, brainwashing and fear mongering in the real world. It will provide useful information when I write about the real world effects of corruptive elements. (The Heaven's Gate cult used the internet to draw in new members and used sci-fi to indoctrinate impressionable youths.)

Hopefully that can give me more information to work with.

Update for Mar 25th

Not a lot to report this week.
I am locked down in work mode, drawing 24/7
luckily that gives me a lot of time to watch horror movies.

I watched a pretty dang good indie horror movie

THE DEVIL'S CANDY

A horror movie about a family who moves into a new home, and the madman who seems to want to get back in.
An artist inspired by demonic voices, a troubled kid, rock and roll.
This movie was a great inspiration for the horror that I am working on now.

Since I have finished the into and set up of my story, I need to have good scary pay off and this movie is all about the pay off.
It was ok for the most part but the ending elevated it to incredible levels and made it all fit together.
I'd recommend it.

Update for Feb 18th

Only a little bit of research this time:

LATE PHASES:

Been awhile since I saw such a good "B-Horror Movie" like this.
It really reminded me of Gingersnaps, another great werewolf B-Movie.

Late Phases is about a blind Vietnam veteran who overhears his neighbor being eaten by a werewolf, the cops write the murder off as a wild animal attack but the Vet decides to take matters in his own hands. Epic montages of gathering silver bullets and making traps ensue.
It also has a great sense of sadness as the man knows he will probably die during the hunt juxtaposed with him settling into the creepy retirement community that he knows he won't be moving out again regardless of the werewolves.

I have been making comic pages with pretty consistently this last month. So I appreciated watching a movie that knew how to use it's visuals to tell the story. There was basically no soundtrack so the audio mixing was telling the story as much as the actors were.

Overall I am still stressed, suffering, drawing and watching too many horror movies.

Update for March 10

(Sorry for the delay I realized that this post didn't get uploaded)

So, while I have been working pretty consistently on my comic pages, I found some interesting research material and a concept I need to keep in mind while I work.

The concept of "Unending Anticipation" as a visual horror trope.

I found this while watching the 2016 horror movie, The Invitation.

It's a horror movie about a man meeting up with his ex-wife after 2 years. They are both still coping with the death of their son and have both remarried.
The dinner party that follows is unsettling and strange, leading to an evening of paranoia and intrique that leads to a sudden bloodbath.

But what made this movie interesting was the fact that 95% of the movie was just talking around a table, and only 5% of it was the gore and horror.
And yet, it was terrifying throughout.
Maybe it was the fact that it was advertized as a horror that I was in anticipation the whole time,
Maybe it was the unsettling music, or the Kubrickesque framing, or the reserved character acting, but with every passing moment it got scarier and scarier despite just being about some white people having wine around a coffee table. It was effective and impactful.

The reason this resonated with me was the fact that I am working with horror in a 2D still medium at the moment and visual horror can't be created through quick cuts or 2 frame flashes of the monster so the techniques included are vital to building my own suspense.